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Words by April Clare Welsh
When Príncipe’s grande dame kicks off Nídia é Má, Nídia é Fudida with a track called ‘Mulher Profissional’ (‘Professional Woman’ in English), you know she means business. When she includes a Simone de Beauvoir quote in the album’s press release, you know she’s not to be fucked with.
Nídia’s first full-length goes way beyond consolidating her previous tarraxinha and batida-spun work into a coherent whole. Instead, it mines an even wider variety of influences, touching on everything from boom bap and balearic to deconstructed club and hoover bass. Her unmistakable taut looped drums are still a force to be reckoned, with some of the album’s best moments built around ideas of repetition and precision, but there’s also a mysticism that wafts around its darker corners, betraying an almost devotional fervor.